"Is AI Making Us Less Human?": This piece by Lily Alexandre illustrates growing concerns involving manipulative marketing tactics by AI technology owners and resulting effects on human interaction.
"Making Television After #MeToo": This podcast by On the Media details the evolution of media depictions and interpretations of narratives that resonate the #MeToo movement.
"Pop Science And The Limitations Of Infotainment": This piece by Coffee Break address the complicated relationships between published science, infotainment and the general public.
"How PragerU Hurts Students (and Teachers)": This video by Zoe Bee illustrates the inherent and critical failings of PragerU educational materials, separated from their political inclinations.
"McMindfulness: When Capitalism Goes Buddhist": This video by Elliot Sang presents a multifaceted examination of Buddhism’s treatment and commodification among modern capitalist groups and societies.
"Millions of Dead Vibes: How Aesthetics Hurt Art": This exploration of the proliferation of “aesthetics” throughout online communities by Lily Alexandre taps into a unique cultural moment where patterns of algorithmic processing appear in art online.
"Is The New York Times A Tech Company?": This piece from On the Media presents a question of the Times' profile as a tech giant in reference to the publication's monopolization of digital media and competition with other social media titans.
"Greta Gerwig, Representation, and the Universal Girl": This video from Broey Deschanel utilizes the career of filmmaker Greta Gerwig as a framework to discuss issues of representation in 21st century filmmaking among minority groups.
"Keith Haring: When Capitalist Consumerism Fails an Artist": This piece from Lines In Motion details the career of pop artist Keith Haring. The story shares how the artist's works were commodified after his death.
"How Hip Hop speaks Truth to Power: Then and Now": This segment from PBS Voices illustrates a brief history of hip hop's qualities as an art form that interrogates social issues globally.
"A Defense of Overthinking Pop Culture": This segment produced by PBS Idea Channel acts as an explanatory framework for the channel's process in producing videos that analyze intersections of popular culture with critical theory.
"Generative AI is a minefield for copyright law": This brief article from The Conversation introduces several points regarding the legal ramifications of the proliferation of generative AI works into the public art sphere.
"Joke, Threat, Obvious": This podcast by On the Media presents YouTube's evolution into today's home for online video along with the social implications that come with being such a massive, singular force.
"Can We Still Enjoy The Social Network?": This look at 2010's "The Social Network" by Broey Deschanel offers new readings of the Silicon Valley biopic in reflection of our changing views on social media platforms and the figures behind them.
"The Future is a Dead Mall - Decentraland and the Metaverse": This extensive look at one of the Metaverse's premier locations by Folding Ideas examines many of the unfulfilled prospects rigged together to form a fatally flawed vision of the future.
"Everything Is Sludge: Art in the Post-Human Era": This examination of "sludge content" by Lily Alexandre analyzes the genre of video that is all at once "creatively bankrupt, incredibly overwhelming and almost impossible to look away from."